See VFX, animation, environments and 3D characters from some of the world’s best young digital artists The video provides a seven-minute round-up of some of the world’s best student art: Gnomon has been voted overall school of the year three times by leading international digital art awards body The Rookies. Responsible for the Look Development of the “Sorting Hat” as well as creating the sequence lighting.Gnomon has released its 2022 showreel, showcasing the best work created by students at the leading CG school in fields ranging from VFX and game development to environment art and character design.
Look Development Lead, 3D Digital Artist, Lighting Responsible for lighting of sequences and scenes with the talking animals. Responsible for the Look Development and Lighting and Live Action integration of a talking cat. Also responsible for creating the sequence light rigs and managing a team of 12 who helped to complete the lighting process. Was responsible for the creation of textures for 3 characters, and the tree surface using a 3D paint system. This stereoscopic short film is part of a theme part attraction that is installed in Disney’s Wild Animal park in Orlando, FL as well as Disneys California Adventure in Anaheim, CA. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software, Amazon 3D Paint It’s Tough to be a Bug Theme Park Attraction (Shot 40-41) Responsible for the morphing of one live action plate to another to create an illusion that a water funnel spins and turns into a bottle of Coca Cola. Responsible for morphing of one live action plate to another in order to create the “dissolve” from one actors apparel to another.
#Digital compositor reel plus#
Plus tracking, animation and compositing. Responsible for all 3D creation based on specifications form manufacturer on product. Leaps and Bounds Commercial 1993 (Shot 37) Responsible for 3D motion graphics of opening segment of a special news program hosted by Bill Curtis. Responsible for the motion tracking, look development, lighting and compositing of 3D football. Post Effects, Chicago – Alias Power Animator, 42 Inc. Northwest Airlines Commercial 1994 (Shots 33-34)
#Digital compositor reel tv#
Responsible for 3D motion graphics and compositing for local Chicago TV commercial. Responsible for content creation of all 3D components and compositing to be used in video and print for Motorola Tradeshow materials. Post Effects, Chicago – Alias Power Animator This was the first time that R&H was implementing HDR imagery into its pipeline, therefore R&D was required. Responsible for look development of the subway sequence. This was the first time that R&H was incorporating Houdini into their proprietary pipeline so much R&D was required to ensure an effective workflow. Responsible for lighting and compositing of elements created by teammate using Houdini. Responsible for lighting of sequences and scenes with the talking bulldog, as well as finishing the “snot” and “vomit” sequences. Responsible for the look development lighting and compsiting of the gun, bullet, severed neck, wolf, and bats.
#Digital compositor reel software#
Rhythm and Hues Studios – Rhythm and Hues Proprietary Software with Houdini Responsible for ompositing of “The Great Gazoo” Character using live action green screen in combination with morphing to deform the live plate. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software – Shake The Flintstones in Viva Rock Vegas 2000 (Shot 10-12) Also repsonsible for prepping sequences for scene lighting as well as completing several shots for scene lighting. Responsible for leading a team of 20 individuals to do the live action integration of stylized “Scooby” character. Rhythm and Hues Studios – Rhythm and Hues Proprietary Software Role – Sequence Supervisor, Sequence Lighter, Scene Lighter
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